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Saturday, October 10, 2026
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Daniel Day-Lewis Voices Frustration Over The Method Approach Being Equated to ‘Behaving Like a Lunatic’ – And That’s Precisely the Reason We Love It

It has been quite some time since the public caught a glimpse of Daniel Day-Lewis. After he announcement in 2017 declaring he would cease to pursue acting, prior to the release of Phantom Thread, Day-Lewis withdrew from the spotlight. Yet, in his absence, his legend expanded further.

The Mythos of His Method

Largely, this legend centers on his favored approach to roles. As someone known for immerses himself in his characters – for instance, during Lincoln, he had Steven Spielberg address him as “Mr. President” for the entire production – audiences has grown increasingly obsessed with his process. Did he really send texts to Sally Field in character as Lincoln? Did he consumed solely animals he’d killed during Last of the Mohicans? Did he insist on being spoon-fed while filming My Left Foot?

Extreme acting methods: have we lost interest with over-the-top performances?

Currently, Daniel Day-Lewis is back in the limelight, somewhat reluctantly, for his new film Anemone. He is taking this chance to express his frustration regarding how method acting is perceived. “I’m a little cross these days when I hear various individuals gobbling off and using phrases like ‘fully embraced the Method’, which seems suggests that a person’s acting insane in an extreme fashion,” he stated to the New York Times. “People tends to focus on the less important details of the work, and those details always seem to involve some form of self-punishment or an experience that causes extreme unease or mental instability. But of course, in the career for a performer, it must mainly focus on the inner transformation.”

A World Full of Followers

To be honest, this sounds like Day-Lewis has come out from his retreat only to discover aghast at the world that has developed in his image. If you’re regarded as among the best actors to ever work, and your process involves striking a prop to the point of injury (for Gangs of New York) or spending two days in solitary confinement deprived of sustenance (for In the Name of the Father), it’s natural that fellow performers will attempt to fill that vacuum by trying to mimic your hero.

Functionally Italian … The singer-actress starring in <em>House of Gucci</em>.
Fully immersed in Italian culture … Lady Gaga in her role for House of Gucci.

In other words, we exist in a landscape populated by half-cocked imitators of Day-Lewis who strive only to show the world the sheer amount of dedication they put into their roles. On the milder side of the pool we have people like Lady Gaga, who was determined to win an Oscar with House of Gucci that she spent the entire promotion trying to convince everyone that she became an Italian native for a year and a half as preparation.

Additionally, there is Jared Leto, who chose to immerse himself into the role of the Joker (for Suicide Squad) by sending “horrifying” presents to fellow cast members. These, according to various accounts, range from deceased animals to anal beads and used condoms, though Leto denied the most extreme claims. And then, naturally, there is Jim Carrey, who went so deep into Andy Kaufman for Man on the Moon that filmmakers literally managed to get a feature-length documentary out of B-roll of him making life as impossible as he could for everyone around him.

Contemporary Method Practitioners

The foremost practitioner of the Method at the moment seems to be Jeremy Strong (once an assistant to Day-Lewis), whose approach during Succession was so rigorously detailed that it formed the subject of a derisive New Yorker profile, full of quotes from individuals who were either concerned about his conduct (“The toll to himself that worries me,” said co-star Brian Cox) or annoyed beyond all measure by his actions (“I remember [him] making others roll their eyes,” stated an anonymous cast member).

The actor says he ‘never intended to retire, really’

There are so many other examples. Andrew Garfield abstained from sex for six months for Silence. Leonardo DiCaprio rested inside a dead animal during The Revenant. There’s a fighting chance that Austin Butler still speaks like Elvis Presley, years following the movie’s release. All of this, to some extent, is meant to invoke the dedication with which Day-Lewis approaches his craft.

An Admirable Yet Challenging Fight

And, although his rebuttal to critics of the Method might be noble, a brief promotional cycle may prove insufficient to change anyone’s mind, let alone their practices. Maybe if he wishes to remind people what method acting is, or to show them its potential results, then the optimal strategy for Day-Lewis is to simply start making additional movies. Surely we could all support that idea.

About the author

Tracey Nichols

A software engineer passionate about open-source ecosystems, with over a decade of experience in Linux administration and Python development.

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